The arts or creative arts are a vast range of human practices of creative expression, storytelling, and cultural participation. The arts encompasses multiple diverse and plural modes of thinking, doing, and being, in an extremely broad range of media. Both dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized, and sometimes intricate forms. This is often achieved through sustained and deliberate study, training, and/or theorizing within a particular tradition, across generations, and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgements, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space.
The arts can refer to common, popular, or everyday practices as well as more sophisticated, systematic, or institutionalized ones. They can be discrete and self-contained or combine and interweave with other art forms, such as the combination of artwork with the written word in comics. They can also develop or contribute to some particular aspect of a more complex art form, as in cinematography. By definition, the arts themselves are open to being continually redefined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.
As both a means of developing capacities of attention and sensitivity and as ends in themselves, the arts can simultaneously be a form of response to the world and a way that our responses and what we deem worthwhile goals or pursuits are transformed. From prehistoric cave paintings to ancient and contemporary forms of ritual to modern-day films, art has served to register, embody, and preserve our ever-shifting relationships to each other and to the world. (Full article...)
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Tornado over Kansas is a 1929 oil-on-canvas painting by the American Regionalist painter John Steuart Curry. It depicts a dramatic scene in which a family races for shelter as a tornado approaches their farm, and has compositional connections to Curry's earlier 1928 painting Baptism in Kansas. The artist is believed to have been influenced by Baroque art and photographs of tornadoes. He developed a fear of natural disasters and a reverence towards God during his childhood, both of which are apparent in the painting.
Following its 1930 debut, Tornado over Kansas was considered a notable Regionalist work, but native Kansans disliked the choice of subject matter. Although the painting won awards and was lauded by some, others criticized Curry's amateur style of painting. Curry's work attracted criticism from contemporary painters Stuart Davis and Thomas Hart Benton, and logical inconsistencies and technical errors in the composition have been noted. (Full article...)
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Title page from the first edition of A Voyage Round the World
A Voyage Round the World (complete title A Voyage Round the World in His Britannic Majesty's Sloop, Resolution, Commanded by Capt. James Cook, During the Years 1772, 3, 4, and 5) is Georg Forster's report on the second voyage of the British explorer James Cook. During the preparations for Cook's voyage, the expedition's naturalist Joseph Banks had withdrawn his participation, and Georg's father, Johann Reinhold Forster, had taken his place at very short notice, with his seventeen-year-old son as his assistant. They sailed on HMS Resolution with Cook, accompanied by HMS Adventure under Tobias Furneaux. On the voyage, they circumnavigated the world, crossed the Antarctic Circle and sailed as far south as 71° 10′, discovered several Pacific islands, encountered diverse cultures and described many species of plants and animals.
When they returned to England after more than three years, disagreement about the publication rights for a narrative of the journey arose. After plans agreed with John Montagu, 4th Earl of Sandwich, the First Lord of the Admiralty, to publish a joint work with contributions by both Cook and Reinhold Forster had fallen through, Georg, who was not bound by any agreement with the Admiralty, began writing Voyage in July 1776. He published on 17 March 1777, six weeks before Cook's A Voyage Towards the South Pole and Round the World appeared. While 63 copper engravings, paid for by the Admiralty, illustrated Cook's account, only a chart of the Southern Hemisphere showing the expedition ships' courses illustrated Forster's Voyage, which was sold for the same price. (Full article...)
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Revolutionary Girl Utena (Japanese: 少女革命ウテナ, Hepburn: Shōjo Kakumei Utena) is a Japanese anime television series created by Be-Papas, a production group formed by director Kunihiko Ikuhara and composed of himself, Chiho Saito, Shinya Hasegawa, Yōji Enokido and Yūichirō Oguro. The series was produced by J.C.Staff and originally aired on TV Tokyo from April to December 1997. Revolutionary Girl Utena follows Utena Tenjou, a teenaged girl who is drawn into a sword dueling tournament to win the hand of Anthy Himemiya, a mysterious girl known as the "Rose Bride" who possesses the "power to revolutionize the world".
Ikuhara was a director on the television anime adaptation of Sailor Moon at Toei Animation in the 1990s; after growing frustrated by the lack of creative control in directing an adapted work, he departed the company in 1996 to create an original series. While he initially conceived of Utena as a mainstream shōjo (girls' anime and manga) series aimed at capitalizing on the commercial success of Sailor Moon, the direction of the series shifted dramatically during production towards an avant-garde and surrealist tone. The series has been described as a deconstruction and subversion of fairy tales and the magical girl genre of shōjo manga, making heavy use of allegory and symbolism to comment on themes of gender, sexuality, and coming-of-age. Its visual and narrative style is characterized by a sense of theatrical presentation and staging, drawing inspiration from the all-female Japanese theater troupe the Takarazuka Revue, as well as the experimental theater of Shūji Terayama, whose frequent collaborator J. A. Seazer created the songs featured in the series. (Full article...)
Vedel was born in Kyiv, the son of a wealthy wood carver. He studied at the Kyiv-Mohyla Academy until 1787, after which he was appointed to conduct the academy's choir and orchestra. In 1788, he was sent to Moscow to work for the regional governor, but he returned home in 1791 and resumed his career at the Kyiv-Mohyla Academy. General Andrei Levanidov recruited him to lead Kyiv's regimental chapel and choir—under Levanidov's patronage, Vedel reached the peak of his creativity as a composer. He moved with Levanidov to the Kharkov Governorate, where he organised a new choir and orchestra, and taught at the Kharkiv Collegium. (Full article...)
Situated on the River Medway and Watling Street, Rochester was a strategically important royal castle. During the late medieval period, it helped protect England's south-east coast from invasion. The first castle at Rochester was founded in the aftermath of the Norman Conquest. It was given to Bishop Odo, probably by his half-brother William the Conqueror. During the Rebellion of 1088 over the succession to the English throne, Odo supported Robert Curthose, the Conqueror's eldest son, against William Rufus. It was during this conflict that the castle first saw military action; the city and castle were besieged after Odo made Rochester a headquarters for the rebellion. After the garrison capitulated, this first castle was abandoned. (Full article...)
The fort was abandoned in June 1889, and over the next 20 years was divided into residences and businesses, with the buildings repurposed or recycled for their materials. Efforts to preserve and restore Fort Concho began in the 1900s and resulted in the foundation of the Fort Concho Museum in 1929. The property has been owned and operated by the city of San Angelo since 1935. Fort Concho was named a National Historic Landmark on July 4, 1961, and is one of the best-preserved examples of the military installations built by the US Army in Texas. (Full article...)
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Nuffield College, facing New Road, with the library tower topped by a flèche. The main entrance to the college is in the middle of the building to the left of the tower. The buildings of Nuffield College, one of the colleges of the University of Oxford, are to the west of the city centre of Oxford, England, and stand on the site of the basin of the Oxford Canal. Nuffield College was founded in 1937 after a donation to the University by the car manufacturer Lord Nuffield; he gave land for the college, as well as £900,000 (approximately £246 million in present-day terms) to build and endow it. The architect Austen Harrison, who had worked in Greece and Palestine, was appointed by the University to design the buildings. His initial design, heavily influenced by Mediterranean architecture, was rejected by Nuffield, who called it "un-English" and refused to allow his name to be associated with it. Harrison reworked the plans, aiming for "something on the lines of Cotswold domestic architecture", as Nuffield wanted.
Construction of the second design began in 1949 and was finished in 1960. Progress was hampered by post-war building restrictions, and the effects of inflation on Nuffield's donation led to various cost-saving changes to the plans. In one change, the tower, which had been planned to be ornamental, was redesigned to hold the college's library. It was the first tower built in Oxford for 200 years and is about 150 feet (46 m) tall, including the flèche on top. The buildings are arranged around two quadrangles, with residential accommodation for students and fellows in one, and the hall, library and administrative offices in the other. The chapel has stained glass windows designed by John Piper. (Full article...)
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer.
Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, Boléro (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other composers' piano music, of which his 1922 version of Mussorgsky's Pictures at an Exhibition is the best known. (Full article...)
When Kona Lanes was demolished in 2003, it was one of the last remaining examples of the Googie style in the region; its sister center, Java Lanes in Long Beach, was razed in 2004. Much of Kona's equipment was sold prior to the demolition, but the distinctive sign was saved and sent to Cincinnati, where a portion is on permanent display in the American Sign Museum. Costa Mesa's planning commission approved a proposal to build a department store on the site, but those plans were scrapped following public outcry. In 2010, the still-vacant land was rezoned for senior citizens' apartments and commercial development. Construction on the apartments began ten years after Kona Lanes was demolished. (Full article...)
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"Subway" (sometimes referred to as "The Accident") is the seventh episode of the sixth season of the American police television drama Homicide: Life on the Street, and the 84th episode overall. It first aired on NBC in the United States on December 5, 1997. In the episode, John Lange (Vincent D'Onofrio) becomes pinned between a Baltimore Metro Subway train and the station platform. The Baltimore homicide department is informed that Lange will be dead within an hour and Pembleton tries to solve the case while comforting Lange in his final minutes.
"Subway" featured guest star Bruce MacVittie as a man suspected of pushing Lange into the path of the train. The episode was written by James Yoshimura, who co-produced with David Simon. It was directed by Gary Fleder and was the only episode of Homicide: Life on the Street helmed by the feature film director. Yoshimura based "Subway" on an episode of the HBO hidden-camera documentary show Taxicab Confessions, in which a New York City detective described a real-life instance of a man trapped between a subway train and platform. (Full article...)
Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Marcel Proust, Gustave Flaubert, and Henry James, and filmmakers François Truffaut and Jacques Rivette. Many of Balzac's works have been made into films and continue to inspire other writers. James called him "really the father of us all." (Full article...)
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Gather Together in My Name is a 1974 memoir by American writer and poet Maya Angelou. It is the second book in Angelou's series of seven autobiographies. Written three years after the publication of and beginning immediately following the events described in I Know Why the Caged Bird Sings, it follows Angelou, called Rita, from the ages of 17 to 19. The title is taken from the Bible, but also conveys how one Black female lived in the white-dominated society of the U.S. following World War II.
Angelou expands upon many themes that she started discussing in her first autobiography, including motherhood and family, racism, identity, education and literacy. Rita becomes closer to her mother in this book, and goes through a variety of jobs and relationships as she tries to provide for her young son and find her place in the world. Angelou continues to discuss racism in Gather Together, but moves from speaking for all Black women to describing how one young woman dealt with it. The book exhibits the narcissism of young people, but describes how Rita discovers her identity. Like many of Angelou's autobiographies, Gather Together is concerned with Angelou's on-going self-education. (Full article...)
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Our Friends in the North is a British television drama serial produced by the BBC. It was originally broadcast in nine episodes on BBC2 in early 1996. Written by Peter Flannery, it tells the story of four friends from Newcastle upon Tyne over a period of 31 years, from 1964 to 1995. The story makes reference to certain political and social events which occurred during the era portrayed, some specific to Newcastle and others which affected Britain as a whole. These include general elections, police and local government corruption, the UK miners' strike (1984–85), and the Great Storm of 1987.
The building was composed of four distinct sections. The original 10-story Singer Building at 149 Broadway was erected between 1897 and 1898, and the adjoining 14-story Bourne Building on Liberty Street was built from 1898 to 1899. In the first decade of the 20th century, the two buildings were expanded to form the 14-story base of the Singer Tower, which rose another 27 stories. The facade was made of brick, stone, and terracotta. A dome with a lantern capped the tower. The foundation of the tower was excavated using caissons; the building's base rested on shallower foundations. The Singer Building used a steel skeleton, though load-bearing walls initially supported the original structure before modification. When completed, the 41-story building had a marble-clad entrance lobby, 16 elevators, 410,000 square feet (38,000 m2) of office space, and an observation deck. (Full article...)
Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat, whose most renowned masterpiece, A Sunday Afternoon on the Island of La Grande Jatte, marked the beginning of this movement when it was first exhibited in Paris. Around this time, the peak of France's modern era emerged and many painters were in search of new methods. Followers of Neo-Impressionism, in particular, were drawn to modern urban scenes as well as landscapes and seashores. Science-based interpretation of lines and colors influenced Neo-Impressionists' characterization of their own contemporary art. The Pointillist and Divisionist techniques are often mentioned in this context, because it was the dominant technique in the beginning of the Neo-impressionist movement.
This picture is a oil-on-canvas portrait of Félix Fénéon in the Neo-Impressionist style by French painter Paul Signac, dated 1890. The painting is now in the collection of the Museum of Modern Art in New York City.
Heavily influenced by the Anglo-Catholic philosophy behind early Victorian architecture he is credited with importing the Gothic revival style to New Zealand. His Gothic designs constructed in both wood and stone in the province are considered to be unique to New Zealand. Today he is considered the founding architect of the province of Canterbury. (Full article...)
Featured articles are displayed here, which represent some of the best content on English Wikipedia.
Tornado over Kansas is a 1929 oil-on-canvas painting by the American Regionalist painter John Steuart Curry. It depicts a dramatic scene in which a family races for shelter as a tornado approaches their farm, and has compositional connections to Curry's earlier 1928 painting Baptism in Kansas. The artist is believed to have been influenced by Baroque art and photographs of tornadoes. He developed a fear of natural disasters and a reverence towards God during his childhood, both of which are apparent in the painting.
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